THE WEST-SAXON, PROSE, PERIOD.

For men a garden, God almighty.

Lord everlasting, afterwards wrought,

Heaven as a roof, the holy Creator.

He first fashioned the firmament for mortals,

Lord everlasting, of old established.

Then the midearth mankind's Warder,

After Caedmon comes Bede, not a poet but a monk of strong and beautiful character, a profound scholar who in nearly forty Latin prose works summarized most of the knowledge of his time. The other name to be remembered is that of Cynewulf(pronounced [Kinnywulf]), the author of some noble religious poetry (in Anglo-Saxon), especially narratives dealing with Christ and Christian Apostles and heroes. There is still other Anglo-Saxon Christian poetry, generally akin in subjects to Cynewulf's, but in most of the poetry of the whole period the excellence results chiefly from the survival of the old pagan spirit which distinguishes “Beowulf”.

 

Where the poet writes for edification he is likely to be dull, but when his story provides him with sea-voyages, with battles, chances for dramatic dialogue, or any incidents of vigorous action or of passion, the zest for adventure and war rekindles, and we have descriptions and narratives of picturesque color and stern force. Sometimes there is real religious yearning, and indeed the heroes of these poems are partly medieval hermits and ascetics (ascetic, a person avoiding physical pleasures and comforts; generally for religious reasons) as well as quick-striking fighters; but for the most part the Christian Providence is really only the heathen (язычник) Wyrd under another name, and God and Christ are viewed in much the same way as the Anglo-Saxon kings, the objects of feudal allegiance which is sincere but rather self-assertive and worldly than humble or consecrated.

 

On the whole, then, Anglo-Saxon poetry exhibits the limitations of a culturally early age, but it manifests also a degree of power which gives to Anglo-Saxon literature unquestionable superiority over that of any other European country of the same period.

 

 

The horrors which the Anglo-Saxons had inflicted on the Britons they themselves were now to suffer from their still heathen and piratical kinsmen the Danes or Northmen, inhabitants or the Scandinavian peninsula and the neighboring coasts.

 

For a hundred years, throughout the ninth century, the Danes, appearing with unwearied persistence, repeatedly ravaged and plundered England, and they finally made complete conquest of Northumbria, destroyed all the churches and monasteries, and almost completely extinguished learning. It is a familiar story how Alfred, king from 871 to 901 of the southern kingdom of Wessex (the land of the West Saxons), which had now taken first place among the Anglo-Saxon states, stemmed the tide of invasion and by ceding to the “Danes” the whole northeastern half of the island obtained for the remainder the peace which was the first essential for the reestablishment of civilization.

 

Peace secured, Alfred, who was one of the greatest of all English kings, labored unremittingly for learning, as for everything else that was useful, and he himself translated from Latin into Anglo-Saxon half a dozen of the best informational manuals of his time, manuals of history, philosophy, and religion. His most enduring literary work, however, was the inspiration and possibly partial authorship of the “Anglo-Saxon Chronicle”, a series of annals beginning with the Christian era, kept at various monasteries, and recording year by year (down to two centuries and a half after Alfred's own death), the most important events of history, chiefly that of England. Most of the entries in the “Chronicle” are bare and brief, but sometimes, especially in the accounts of Alfred's own splendid exploits, a writer is roused to spirited narrative, occasionally in verse; and in the tenth century two great battles against invading Northmen, at Brunanburh and Maldon, produced the only important extant pieces of Anglo-Saxon poetry which certainly belong to the West Saxon period.

 

For literature, indeed, the West-Saxon period has very little permanent significance. Plenty of its other writing remains in the shape of religious prose-sermons, lives and legends of saints, biblical paraphrases, and similar work in which the monastic and priestly spirit took delight, but which is generally dull with the dulness of medieval commonplace didacticism and fantastic symbolism.

 

The country, too, was still distracted with wars. Within fifty years after Alfred’s death, to be sure, his descendants had won back the whole of England from “Danish” rule (though the “Danes”, then constituting half the population of the north and east, have remained to the present day a large element in the English race).

 

But near the end of the tenth century new swarms of “Danes’ reappeared from the Baltic lands, once more slaughtering and devastating, until at last in the eleventh century the “Danish” though Christian Canute ruled for twenty years over all England. In such a time there could be little intellectual or literary life. But the decline of the Anglo-Saxon literature speaks also partly of stagnation in the race itself. The people, though still sturdy, seem to have become somewhat dull from inbreeding and to have required an infusion of altogether different blood from without. This necessary renovation was to be violently forced upon them, for in 1066 Duke William of Normandy landed at Pevensey with his army of adventurers and his ill-founded claim to the crown, and before him at Hastings fell the gallant Harold and his nobles. By the fortune of this single fight, followed only by stern suppression of spasmodic outbreaks, William established himself and his vassals as masters of the land. England ceased to be Anglo-Saxon and became, altogether politically, and partly in race, Norman-French, a change more radical and far-reaching than any which it has since undergone.