Exercise 3.

Choose the proper word from brackets:

1. (Can, may) you play the piano? 2. (Can, may) Benny watch TV before going to bed? 3. I think I (can, may) do the work myself. 4. (Can, may) your friend speak English? 5. (Can, may) I have another cup of tea? 6. You (Can, may) stay a little longer if you like. 7. I (cannot, may not) hear you. Speak louder, please. 8. You (Can, may) take the book home. 9. (Can, may) I leave my bag with you? 10. I (cannot, may not) believe that.

 

Listening and discussion:

Text “Gothic painting”

 

 

Simone Martini

 

Painting in a style that can be called "Gothic" did not appear until about 1200 or nearly 50 years after the start of Gothic architecture and sculpture. The transition from Romanesque to Gothic is very imprecise and not at all a clear break and Gothic ornamental detailing is often introduced before much change is seen in the style of figures or compositions themselves. Then figures become more animated in pose and facial expression, tend to be smaller in relation to the background of scenes, and are arranged more freely in the pictorial space, where there is room.

This transition occurs first in England and France around 1200, in Germany around 1220 and Italy around 1300.

Painting during the Gothic period was practiced in 4 primary crafts: frescos, panel paintings, manuscript illumination and stained glass. Frescoes continued to be used as the main pictorial narrative craft on church walls in southern Europe as a continuation of early Christian and Romanesque traditions. In the north stained glass was the art of choice until the 15th century.

Panel paintings began in Italy in the 13th century and spread throughout Europe, so by the 15th century they had become the dominate form supplanting even stained glass. Illuminated manuscripts represent the most complete record of Gothic painting, providing a record of styles in places where no monumental works have otherwise survived. Painting with oil on canvas did not become popular until the 15th and 16th centuries and was a hallmark of Renaissance art.

In Northern Europe the important and innovative school of Early Netherlandish painting is in an essentially Gothic style, but can also be regarded as part of the Northern Renaissance, as there was a long delay before the Italian revival of interest in classicism had a great impact in the north. Painters like Robert Campin and Jan van Eyck, made use of the technique of oil painting to create minutely detailed works, correct in perspective, where apparent realism was combined with richly complex symbolism arising precisely from the realistic detail they could now include, even in small works.